五、(2024·南通市海安市模拟)阅读与回答问题。〔人与社会——历史、社会与文化〕
Many traditional woodcut prints(版画) are either black and white or simple in colour, but reduction woodcuts(绝版木刻) can show rich colours.
The reduction woodcut uses one piece of wood to make a colourful artwork. The artist cuts and prints different layers(层) in order on the same piece of wood. The reduction woodcuts became an intangible cultural heritage in Pu'er, Yunnan, in 2009.
Leng Guangmian is a reduction woodcut artist. Leng started learning it in 2003. He said that making reduction woodcut prints was just like an adventure. "Every time we cut on the wood and then print it, we never know what it will be like in the end," said Leng. As he sees beautiful patterns layer by layer, he only gets more excited.
But finishing such a work is not easy. He said that before cutting, he needs to plan for the whole print and choose colours for different layers. A big print usually takes months to finish.
Leng wants his artwork to show both great woodcutting skills and the culture and life in Pu'er. "In my works, there are two themes. One is 'Tea Horse Road(茶马古道)', because Pu'er is one of the starting places of that road, and the other is 'Disappearing Villages'," Leng said. "Many old villages in Pu'er need rebuilding(重建), so I want to make people remember their beauty before
they disappear."
Leng Guangmian is now getting more people to know about the reduction woodcut. He trains farmers in Pu'er and brings the art into schools. To make students understand and learn the art quickly, he even thought of a new idea of cardboard printing. "By using a small cardboard and making it simpler with three to five colours, students can get the beauty of the art," Leng said.
1. What is the difference between reduction woodcut prints and traditional ones?
The reduction woodcut prints can show rich colours while traditional ones are either black and white or simple in colour.
2. How does Leng feel when he sees beautiful patterns layer by layer?
He feels more excited.
3. What are the two themes in Leng Guangmian's works?
“Tea Horse Road” and “Disappearing Villages”.
4. What does the underlined word "they" refer to in Paragraph 5?
Many old villages in Pu'er.
5. Why should teenagers learn traditional Chinese art? (请自拟一句话作答)
Because it is a symbol of Chinese culture. (答案不唯一，言之有理即可。)
解析：
【分析】
这是一篇人文主题的阅读回答类题型，解题时首先通读全文，明确文章围绕云南普洱非遗绝版木刻及传承人冷光冕的相关事迹展开。之后针对每道小题，带着题干的核心关键词返回原文精准定位：第1题找两类版画的差异，直接锁定文章首段对比内容；第2题定位人物看到层层图案的情绪，找到第三段末尾的描述；第3题定位作品主题，找到第五段的直接说明；第4题代词指代题，向前追溯前文出现的对应复数名词即可得出指代对象；第5道开放题结合传统文化传承的意义组织通顺合理的表述即可。
【解析】
1. 回文定位第一段内容“Many traditional woodcut prints(版画) are either black and white or simple in colour, but reduction woodcuts(绝版木刻) can show rich colours.”，整理信息即可得到两类版画的差异。
2. 回文定位第三段最后一句“As he sees beautiful patterns layer by layer, he only gets more excited.”，直接提取人物的感受即可。
3. 回文定位第五段冷光冕的自述内容“In my works, there are two themes. One is 'Tea Horse Road(茶马古道)', because Pu'er is one of the starting places of that road, and the other is 'Disappearing Villages'”，直接提取两个主题即可。
4. 回文定位第五段划线词所在句的前半部分“Many old villages in Pu'er need rebuilding(重建), so I want to make people remember their beauty before they disappear.”，逻辑上要在消失前被记住的就是普洱的老村落，因此they指代对应的老村落。
5. 该题为开放性试题，只要表述符合青少年学习中国传统艺术的正向意义，语句通顺、言之有理即可。
【答案】
1. The reduction woodcut prints can show rich colours while traditional ones are either black and white or simple in colour.
2. He feels more excited.
3. “Tea Horse Road” and “Disappearing Villages”.
4. Many old villages in Pu'er.
5. Because it is a symbol of Chinese culture. (答案不唯一，言之有理即可。)
【知识点】
阅读理解细节定位；代词指代辨析；阅读开放表达
【点评】
本题属于人与社会文化主题的阅读题型，前4道均为细节查找类基础题，信息在原文中对应位置明确，重点考察学生快速定位文本信息、提取关键内容的能力，最后一道开放题引导学生思考传统艺术的价值，渗透了文化传承的素养导向，答题时注意细节题尽量用原文原句作答保证准确性，开放题贴合主题表述通顺即可。
【难度系数】
0.8
